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Porter Batiste Stoltz Live at Joshua Tree Music Festival on 2009-05-16




Disc I
01. intro/Grits N Hurricanes
02. Strange World
03. Hey Hey Hey (Get On Down)
04. Funkin'
05. Way Down In The Hole ^
06. I Get High

Disc II
01. Fire Lamp
02. All We Wanna Do
03. Bring The Flood
04. Them Changes
05. encore break
06. Cissy Got The Blues ->
07. Ouw

Notes:
^ first time played (Tom Waits)


Collection PorterBatisteStoltz
Band/Artist Porter Batiste Stoltz
Date May 16, 2009
Venue Joshua Tree Music Festival
Location Joshua Tree, CA

Source 4 track post-mix: {([2] AKG c452eb/ck22 (~ NOSish, 9' high, directly FOB) -> 'vintage' mod. pres) + (SBD L/R (XLR outputs))} -> Busman V/T Mod. Edirol R-4 Pro @ 24bit/48KHz
Lineage Busman V/T Mod. Edirol R-4 Pro -> MacBook Pro/Digital Performer 5.1 (import tracks; set 4 track mix; Bounce to Disc (w/ FX plug-ins: para EQ, light compression, limiter, peak normalize); split tracks; resample/dither to 16bit/44.1khz) -> .aiff -> xACT v1.58 -> FLAC (level 8)
Taped by James Bartoli


Notes

Live sound and PA mix by Jonathan Weber.

Special thanks to Bret Wohlgemuth, and the JTMF crew.

Reviews

Reviewer: bdasilva2 - - July 10, 2009
Subject: Trios Rule
You know they do... And they were sure hot in the high (pun) desert that night. Big thanks to James for capturing another incredible recording. Not enough NOLA music on the left side
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Source: 4 track post-mix: {([2] AKG c452eb/ck22 (~ NOSish, 9' high, directly FOB) -> 'vintage' mod. pres) + (SBD L/R (XLR outputs))} -> Busman V/T Mod. Edirol R-4 Pro @ 24bit/48KHz
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Source: 4 track post-mix: {([2] AKG c460b/a60m/a51/ck22 (~ NOS, ~ 8' high, pointed at stacks, directly front of SBD) -> 'vintage' mod. pres) + (SBD L/R (XLR matrix outputs))} -> Busman V/T Mod. Edirol R-4 Pro @ 24bit/48khz
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Source: 4 track post-mix: {([2] AKG c452eb/a51/ck1 (mounted below rafters ~ 15' back DFC, ~ 9' high, XY @ ~ 100 degrees)) -> 'vintage' mod. pres) + ([2] AKG c460/a60/ck22 (hung from rafters above stage lip, split ~ 10', 7' high) -> 'transparent' mod. pres.)} -> Busman V/T Mod. Edirol R-4 Pro @ 24bit/48khz
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Source: 4 track post-mix: {([2] AKG c452eb/a51/ck1 (mounted below rafters ~ 15' back DFC, ~ 9' high, XY @ ~ 100 degrees)) -> 'vintage' mod. pres) + ([2] AKG c460/a60/ck22 (hung from rafters above stage lip, split ~ 10', 7' high) -> 'transparent' mod. pres.)} -> Busman V/T Mod. Edirol R-4 Pro @ 24bit/48khz
Porter Batiste Stoltz
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Source: 4 track post-mix: {([2] AKG c460b/a60m/a51/ck22 (~ NOS, ~ 8' high, pointed at stacks, directly front of SBD) -> 'vintage' mod. pres) + (SBD L/R (XLR matrix outputs))} -> Busman V/T Mod. Edirol R-4 Pro @ 24bit/48khz
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Source: 4 track post-mix: {([2] AKG c452eb/ck22 (~ NOSish, 9' high, directly FOB) -> 'vintage' mod. pres) + (SBD L/R (XLR outputs))} -> Busman V/T Mod. Edirol R-4 Pro @ 24bit/48KHz
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Source: 4 track post-mix: {([2]AKG c452eb/ck22 (A-B, on stage, split ~ 8', ~ 3' high) -> 'vintage' mod. pres) + (SBD L/R (XLR matrix outputs))} -> Busman V/T mod. Edirol R-4 Pro @ 24bit/48KHz
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Source: 4 track post-mix: {([2] AKG c460b/a60m/a51/ck1 (~ DINish, 9' high, on tier in front of SBD) -> 'vintage' mod. pres) + (SBD L/R (XLR matrix outputs))} -> Busman V/T Mod. Edirol R-4 Pro @ 24bit/48KHz
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